SCENE E TAGLIUZZAMENTI VARI rispetto la versione USA
Veloce dettaglio prima di cominciare: l’introduzione, con Rick che cerca benzina, è più lunga. Se è vero (ed è vero) che il protagonista negli USA ha iniziato a proferir parola a tre minuti e rotti, contro la “nostra” manciata di secondi.
Shane e Rick parlano di roba sessista in auto.
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Still man, that… that earns me this.
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This look and loathing
you would not believe.
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And that’s when
the exorcist voice pops out.
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“You sound just like my damn father.
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“Always, always yelling about the power bill,
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“telling me to turn off the damn lights.”
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- What do you say to that?
- You know what I wanna say.
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I wanna say, “Bitch, you mean to tell me
you’ve been hearing this your entire life
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“and you are still too damn stupid
to learn how to turn off a switch?
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You know…
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I don’t actually say that, tho.
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- That would be bad.
- Yeah, go with the uh…
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the polite version there…
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- Very wise.
- Yes, sir.
Shane chiede a Rick come vadano le faccende di casa con Lori. Rick risponde, in Italia la risposta è per metà segata e parte da dove finisce questo stralcio.
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She’s good.
She’s good at turning off lights.
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Really good. I don’t know
why I sometimes forget.
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Not what I meant.
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- We didn’t have a great night.
- Look, man, I may have a…
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fail to amuse with my sermon,
but I did try.
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The least you could do is speak.
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That’s what she always says:
“Speak”. “Speak”.
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You’d think I was the most closed mouth
son of a bitch you’d ever *** telling.
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Do you express your thoughts?
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You share your feelings and that kind of stuff?
Rick e Shane aspettano che arrivino i cattivoni inseguiti dai colleghi.
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like World’s craziest police chases,
what do you think?
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What I think, Leon, is that
you need to stay focused.
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Make sure you got a round
in the chamber and your safety off.
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Would be kind of cool to get on
one of them shows.
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Holy shit.
Tra il momento in cui Rick si sveglia in ospedale e arriva a casa (urlando “Lori?!”), negli USA passano circa 8 minuti, su Fox una strana dimensione parallela li ha tramutati in 5. A seguire: la ricerca di Lori e Carl da parte di Rick dura da noi 35 secondi, la metà rispetto all’originale.
Morgan ha appena sparato a un zombo e Dwayne ha piallato la faccia di Rick con una pala e dice…
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Daddy, I got this sumbitch.
I’m gonna smack him dead.
Morgan ha trasportato Rick in casa, controlla che stia bene, dicono fatti sulla ferita e quindi il primo si avvicina al secondo, con in mano un coltello, dicendo…
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Look how sharp it is.
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You try anything…
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I will kill you with it,
and don’t you think I won’t.
Tutta la parte è stata segata su Fox, rendendo l’evoluzione del rapporto: “chi sei, dove vai, che hai fatto al petto, ah okei mangia un po’ di cassoeula assieme a noi” piuttosto incomprensibile. Semplicemente perché non viene fatto capire che Morgan dei Bluvertigo ha messo in chiaro che se a Mr. Grimes pungesse vaghezza di fare il minchione, finirebbe affettato. Complimenti!
Morgan e Rick parlano dello zombo/uomo a cui il primo ha sparato in strada quando si sono incontrati.
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- No man… – What the hell was that
out of your mouth just now?
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- It wasn’t a man.
Morgan, Rick e Dwayne si siedono a cenare.
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Daddy…
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Blessing…
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Yeah.
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Father, we thank thee for this food…
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Thy blessings…
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We ask you to watch over us in these crazy days.
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- Amen.
- Amen.
Dwayne ha visto la mammoba (o zombamma?) camminare per strada e ci prende un sacco di mestizia.
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It’s ok, here. Cry into the pillow.
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Can you remember?
Rick si è svegliato e per caricarsi forte ha sfasciato una mazza da baseball in faccia a un zombie per capire se fosse vivo o morto (che non ha molto senso, ma fa nulla). Morgan gli dice….
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You alright?
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Need a moment?
Rick porta Morgan e Dwayne alla stazione di polizia.
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Gas and light have been down
for maybe a month.
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Station got its own propane system.
Dopo la doccia omo, Rick, Morgan e Dwayne cercano armi. Il piccolo chiede al padre se può imparare a sparare. Interessante perché giustifica la scelta, poco dopo, di Morgan di non partire assieme a Rick. Così facendo avrebbe il tempo di insegnare per bene a Dwayne a sparare..
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A lot of it’s gone missing.
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Dad, can I learn to shoot?
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I’m old enough.
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Hell yes you’re going to learn.
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We gotta do it carefully, teach you
to respect the weapon.
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That’s right. It’s not a toy.
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You pull the trigger, you have to mean it.
Always remember that, Dwayne.
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Yes, sir.
Rick dà qualche consiglio a Morgan.
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Conserve your ammo. Goes faster than
you think. Especially at target practice.
Morgan giustifica la sua mancata partenza.
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By the end, Dwayne will know how
to shoot and I won’t be so rusty.
Shane risponde a Lori che sostiene quanto sia fondamentale trovare il tempo per mettere un segnale sull’interstatale che dica di stare lontani dalla città.
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Yeah, that, uh…
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That’s a luxury we can’t afford.
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We are surviving here.
We are day to day.
Scambio di pareri tra Shane e Lori, magari utile per capire bene com’è che si arrivi al limone duro che, grazie al cielo, in Italia è stato trasmesso.
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Hey, hey, hey, come on, take a sit, buddy.
You’re alright, go on, you’re alright.
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What, you’re pissed at me?
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Well pissing me all you want
won’t gonna change anything.
Rick trova il cavallo e abbandona l’auto.
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Easy now, easy.
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I’m not gonna hurt you.
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Nothing like that.
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More like a proposal.
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Atlanta’s just down the road ways.
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It’s safe there.
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Food, shelter, people,
other horses too, I bet.
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How’s that sound?
00:57:09,070 –> 00:57:10,810
There we go. Good boy.
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Good boy. Now come with me.
Come with me.
E questo è quanto.
